Magazine

The Angel and the Copy Error, #1 – 2018

"We should celebrate life and art" – Season Opening HELLERAU 14.09.2018

The Great Tamer, #1 2018

Kunst ist ein Kran, #1 – 2018 – Ein Gespräch mit Johanna Roggan und Anna Till

9. – 11.11.2018, 4:3 Kammer Musik Neu, #1 – 2018

22.11. – 02.12.2018, Polski Transfer – Festival of contemporary Polish theatre, #1 – 2018

How can everyday sounds be translated into a score? – Interview with John Moran (US/DE) about "everyone"

POST-INTERNET-DANCE From virtual space to reality and back again, #1 – 2019

Erschöpfung als Strategie – Meg Stuart im Interview, #1 – 2019

Interview mit Komponistin und Residenzkünstlerin Amy Bryce (GB) 2018/19, #2 – 2019

Interview mit Residenzkünstlerin Agata Siniarska (PL) 2018/19, #2 – 2019

Interview mit Residenzkünstlerin Mary Gelman (RUS) 2019/20 , #2 – 2019

Once again I fall into my feminine ways., #2 – 2019

ACTIONS – Interview mit Nicolas Cilins und Yan Duyvendak, #2 – 2019

Tribute to László – Appia, #2 – 2019

I am the red thread

Wir sind schürfen gegangen, #2 – 2019

Fall into the Unknown, #2 – 2019

Mit Echten reden (1): Das Ellenbogen-Prinzip

Granma, #2 – 2019

Russia's political system is a hybrid, #2 – 2019

The Alliance of International Production Houses, A Cooperation Model for the Future, #2 – 2019

Interview with Jule Oeft/JuWie Dance Company on the premiere of „Rapid Cycling – Das bildest du dir nur ein“

Eine Oper wie eine Zweikomponentenwaffe, #1 – 2020

Kinder der Sonne – Дети солнца, #1 – 2020

Befreit aus dem Klammergriff der Institution, #1 – 2020

„Kvartira“ als Utopie, #1 – 2020

„You’re stuck“ – André Schallenberg im Gespräch mit missingdots, #1 – 2020

Uncanny Valley, #1 – 2020

The new slow down – APPARAT, #1 – 2020

The new slow down – APPARAT, #1 – 2020

Erbstücke #2, #1 – 2020

I hate drawers - Dada Masilo (ZA) , #1 – 2020

All of this hurts – Dies Irae | Patricia Kopatchinskaja (MD) & Orchester des Wandels (DE), #1 – 2020

„Here you are a part of it“, Gabriele Gorgas, #1 – 2020

Off to New Horizons, By Nicole Aurich & Frieda Pirnbaum, KOST, #1 – 2020

School Projects in HELLERAU – Teachers report, #1 – 2020

Faces in HELLERAU – Sybille Grießbach, Facility Manager of POWER PERSONEN-OBJEKT-WERKSCHUTZ GmbH, #1 – 2020

Carena Schlewitt zur Covid-19-Situation in HELLERAU

Trauma with jumps - How "Slaughterhouse 5" became a musical theatre - Johannes Kirsten

Making everything visible in every moment - Music Theater "Slaughterhouse 5" based on the novel by Kurt Vonnegut, #2 - 2020

Work! - New horizons for historical fabrics, #2 – 2020

Work! - Two pictures of work, #2 – 2020

Work! - Machines, energies, noises, materials, #2 – 2020

Work! - An attitude to work, #2 – 2020

Farewell and beginning, #2 – 2020

Reconstruction and construction of history, #2 – 2020

CYNETART – VORTEX – Ulf Langheinrich, #2 – 2020

Shiva Feshareki – Multidimensional Thinking, #2 – 2020

„I would not have thought that I could still do that“, #2 – 2020

Success Story Rwanda, #2 – 2020

Wanaset Yodit, #2 – 2020

Twice 40 years under the sign of modernity

The flow of time, #2 – 2020

BREATHING MEMORIES, TRANSPARENT HISTORIES, #2 – 2020

Faces in HELLERAU – Werner Lange, TOP Gebäudereinigung Sachsen GmbH & Co. KG, #2 – 2020

Questioning the frame, #2 – 2020

„What has become freely accessible and commonplace is the fear of the future“, #2 – 2020

Spinner Light | Interview mit Charles Washington

The audience keeps us alive, #2 – 2019

Video killed the Radio Star, #1 – 2021

„Ich finde es gut, mich durch nichts zu definieren“, #1 – 2021

Home Away From Home, #1 – 2021

Auf zu neuen Ufern, #1 – 2021

ARK Dresden – Ark for underrated knowledge, #1 – 2021

Stuck on the Platform, #1 – 2021

Watch Out! From the yogurt cup to the clothespin. About wonder., #1 – 2021

Faces in Hellerau, Jakob Schneider Specialist for Event Technology, #1 – 2021

With compass, #1 – 2021

We need more humus, #1 – 2021

The thing about cultural appropriation, #1 – 2021

City. Space. River. Contemporary Perspectives on the City, #1 – 2021

Enjoy theater as you are and feel right now, #1 – 2021

The living dead, #1 – 2021

Creating a better world, #1 – 2021

To See Climate (Change), #1 – 2021

#TakeCareResidenzen, #1 – 2021

Dancing About, #2 – 2021

I am all about the social force that moves people, #2 - 2021

New Spaces for the Arts, #2 – 2021

Faces in HELLERAU – Elisabeth Krefta, Artistic Assistant to the Programme Director, #2 – 2021

Voices: Victoria Lomasko, #2 – 2021

Residency Programme HELLERAU, #2 – 2021

Im Umbruch, #2 – 2021

Über die Mauer, #2 – 2021

No one can give anyone a voice, #2 - 2021

The Followers of Ø - Trond Reinholdtsen in conversation with Harry Lehmann and Christine Wahl, #2 - 2021

HYBRID PLAY #RealityCheck, 22. – 31. October 2021, #2 – 2021

I Dream Therefore I am, #2 – 2021

1984: Back to No Future, #2 – 2021

Kulturland Sachsen geschlossen?

Offener Brief zur Situation von Kultureinrichtungen unter Corona

Oath of the Stones, #1 – 2022

The European Art Saxon, #1 – 2022

To Claudia „Wanda“ Reichardt, #1 -2022

Faces in HELLERAU – Friedemann Heinrich, Financial Management & Controlling, #1 - 2022

Plant Meditation: A Practical Guide, #1 – 2022

CLAIMING COMMON SPACES IV: Cool Down, #1 – 2022

Young Stage, #1 – 2022

On Kinships and Twins, #1 – 2022

No power without mass, #1 - 2022

Lia Rodrigues, #1 – 2022

5 Tage Belarus, #1 – 2022

Lieder ohne Worte, #1 – 2022

Transverse Orientation, #1 – 2022

Bandstand Music Videos 2022, #1 – 2022

Watch Out!, #1 – 2022

Statement of Solidarity with the Ukrainian people

Come Together, #2-2022

Nordost Südwest, #2-2022

Abschied und Beginn,#2-2022

HYBRID Biennale 2022,#2-2022

Villa Massimozu Gast in HELLERAU,#2-2022

Don’t you dare! Wage es ja nicht!,#2-2022

How far is East ,#2-2022

Aggregat^1 – von Kristina Dreit, #2-2022

Samples ... Keys ... Listening, audio description in HELLERAU,#2-2022

Faces in HELLERAU - Dana Bondarchuk, Deputy Head of Production Office,#2-2022

HELLERAU und das Welterbe – Von Anette Hellmuth, Förderverein Weltkulturerbe Hellerau e.V.,#2-2022

Pawlo Yurov: Cheap People for Soldiers 25.02.2022, Friday night, #2-2022

Zum Stück „Wo drückt der Schuh?“ Interview mit den Künstlerinnen, #2023-1

opera – a future game

Michael v. zur Mühlen und Thomas Köck im Interview