In her work, video artist Eli Cortiñas uses found material from films, YouTube videos, advertisements, animations, and image archives, which she multiplies, rhythmizes, and re-scores. In the visually powerful video essay Walls Have Feelings (2019), she explores concepts of labor and value creation, among others. Cortiñas creates a dystopian image of our present that links historical, political, and aesthetic aspects. In doing so, the artist questions architecture as a manifestation and instrument of political power, as well as the role of supposedly innocent objects and interiors in their function as silent witnesses, preservers, and amplifiers of power.
Duration: 12.05. – 11.06.