Lisa Meseizch makes a poster.
Lisa Meseizch is an artificial figure.
Lisa Meseizch is (m)a mother. Or (m)a granddaughter.
Lisa Meseizch is called Lisa Message.
Lisa Meseizch promises a multimedia project for the future.
Lisa Meseizch will not have performed in 1989.
On 06.06.1989 the art figure Lisa Meseizch announces a performance with the title “multiplikateur de progress” at the Dresden University of Fine Arts. However, the action does not take place. All that is left of it is the document of the poster. 30 years later: Adele Dittrich Frydetzki takes a fresh look at this document from the family archive from the perspective of those who were not there. In a speculative reenactment, Adele & her collaborators* acquire the unredeemed promise of the document and, together with the audience, try out scenes of untold “#ost” stories.
Adele Dittrich Frydetzki, born in East Berlin in 1990 and raised in Wilthen, Bautzen and Dresden, has been working for several years as a freelance theatre maker on theatre performance projects. She was a scholarship holder of the Goethe-Institut at the International Forum of the Berlin Theatertreffen 2017 and the Rencontres Internationales of the Festival Transamériques 2018 in Montréal, Canada.
Adele Dittrich Frydetzki (Concept, Performance, Production, Space), Anna Adams (Concept, Sound, Interviews), Klara Lyssy (Technical Support), Marie Simons (Dramaturgies, Concept, Text), Marten Flegel (Production, Dramaturgies, Care-Work), N.N. (Outfit), N.N. (multidimensional space questions), varying locals (music)
A production by Adele Dittrich Frydetzki in cooperation with DIE SOZIALE FIKTION. In cooperation with Hellerau – Europäisches Zentrum der Künste, Dresden and Lofft – Das Theater, Leipzig.
Supported by the Kulturstiftung des Freistaates Sachsen. This measure is co-financed by tax money on the basis of the budget decided by the Saxon state parliament.
Supported by the state capital Dresden. Office for culture and monument protection.