Who was Yanka Rudzka—a dancer and choreographer born in Łódź who left Poland after the war, became a pioneer of modern dance in Brazil, and has largely disappeared from Polish historical records?

Yanka Rudzka (1916–2008) was one of the most fascinating figures in 20th-century Polish modern dance. In prewar Łódź, she helped shape the rapidly developing scene of expressive dance, which became a tool of emancipation for many Jewish female artists—a path to achieving self-determination and transcending traditional social roles. After the war, Rudzka left Poland and never returned. In Salvador (Brazil), she left a lasting mark as a charismatic artist and educator, as well as the founder of Brazil’s first university-level dance institute.

In 2013, Joanna Leśnierowska began rediscovering Rudzka’s story and devoted more than a decade to researching and artistically engaging with it. “Beholding” is the latest chapter in this process—an international collaboration realized jointly by artists from Poland, Brazil, and Germany.

“The Yanka Rudzka Project: Beholding” does not attempt to reconstruct her biography or create yet another portrait of a great artist. Instead, through dance, photography, and film, the project explores the elusive aspects of her story: absences, omissions, interrupted genealogies, and an identity that unfolds across different places, languages, and cultures.

Please register in advance via:

schallenberg@hellerau.org

Biography

Biography Image

Yi Yun HSUEH began her artistic career in street dance culture and now moves between hip-hop communities and contemporary art. As a battle dancer and MC, she combines elements of popping with a precise, controlled movement language. Her work views the body as a vessel of consciousness and explores themes such as alienation, disembodiment and altered states of consciousness. Inspired by literature, film, music and Daoist rituals, she works across disciplines – from Butoh and site-specific performances to VR and motion capture.

Biography Image

As a dancer and performer, Kai Wen WU’s artistic practice is deeply rooted in street dance culture. Drawing on many years of battle experience and a background in breaking and contemporary dance, he blends street culture with contemporary performance. His focus is on floorwork and improvisation. In doing so, he explores the relationships between the body, the city, psychological states and collective emotions. He examines how the body changes under pressure and in extreme conditions, and how individual and collective tensions are expressed physically.

Funding

The residency and Open Studio are taking place in collaboration with the Adam Mickiewicz Institute in Warsaw as part of the International Dance Alliances project, co-funded by the Polish Ministry of Culture and National Heritage

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