
Liquid Logic (GER)
Oktober 2025
Liquid Logic is an interdisciplinary artist collective that moves between dance, sound, ritual and futuristic cuteness. The collective works with open bodies, clear impulses and monstrous frequencies. Inspired by eco-queer, post-activist and decolonial theory, they co-create with the ‘more-than-human world’. Spontaneous composition, butoh, voice, sound, modern magic, rituals and club energy characterize the research. Liquid Logic combines physical theatre, contemporary dance and situational sound design and abandons classical forms to dream collectively with body and sound. Liquid Logic sees performative art as a practice of resistance: a political spaceship that breaks up patriarchal, colonial and normative structures.
In October, Liquid Logic is visiting HELLERAU as a local group for a first residency as part of the three-year EU exchange program “Moving Identities” and will provide insights into their research during an Open Studio on 17.10.
Patrice Robert Lipeb

Patrice Robert Lipeb is a multi-instrumentalist and performer. In their works, the artist moves at the interface of body and sound and explores textures of atmospheric spontaneous composition. On this basis, they create varieties of aleatoric and generative music. Patrice is self-taught and works as a freelance musician and performer in Leipzig.
Aïsha Konaté

Photo: Friederike Goeckeler
"My work is a research for technologies of pleasure, to walk through joy and pain with love and attitude."
Aïsha Konaté is a queer, mixed-race performance artist, pleasure activist and facilitator for physical theatre, dance, butoh, voice and somatic practices. Aïsha creates performance, workshops, retreats, rituals and rest spaces, especially with and for marginalised people and is interested in body knowledge, spirituality, ritual, sci-fi and the potential of collective intelligence. Most recently, Aïsha co-directed and performed in "Cracks in Time and the Appearance of New Goddesses" (2024).
Senja Katharina Brütting

Senja Katharina Brütting is a queer, mixed-race cutiepie performer who combines spoken word, contemporary dance and physical theatre. With a background in choreography, dance education and performance, Senja creates performative experiential spaces and leads empowerment workshops for marginalised people. Senja is interested in the body as an archive of subconscious knowledge, embodied ancestrality, madness, desire as resistance and love. Senja was most recently seen in "Cracks in Time and the Appearance of New Goddesses" (2024). Earlier works include "Sometimes, when I actually want to cry..." (2023), "My White Mother" (2022) and "A Lost Planet of Belonging" (2022).
Biography

Photo: Maria Sturm
Raha Emami Khansari studied Media Culture, Performance Studies and Theatre Practice in Weimar, Hamburg and Exeter. She is co-founder of the Hamburg performance collective Glitch AG, which has been realising performances, radio plays and interventions in public spaces since 2016 and is working on the topic of water from 2025-2028. Since 2022, she has hosted the podcast "Awkward Aquarians" with Leona Ojake on the Berlin radio station Refuge Worldwide. in 2024, she produced the first international Roma* theatre festival in Berlin with RomaTrial e.V. She works as a performer, actress, speaker, dramaturge and producer and lives between Berlin and Hamburg.