“Dreamachine” emerged from a collaboration between sound artist Estelle Schorpp and video artist Charline Dally and translates the fleeting sensation of drifting into an audiovisual experience. The work is based on archival footage recorded on DV tapes of the Shinkansen Express and the Hong Kong Railway, which merges with analog video feedback, field recordings, and shimmering drone textures to form a continuously flowing landscape. Algorithmically modulated image and sound processes dissolve fixed perspectives and create a mysterious space. Hovering between movement, memory, and reverie, “Dreamachine” explores how technologies transform our experiences of distance, landscape, and travel.
Biography

Estelle Schorpp is a sound artist and composer born in France and based in Montreal. In her multidisciplinary sound practice, she explores algorithmic composition, sound installations, interactive systems and experimental electronic music. Her work has been presented internationally at festivals such as La Biennale di Venezia, Ars Electronica, MUTEK and Le Mans Sonore. In 2026, she will be artist-in-residence at the HYBRID Biennale in HELLERAU.
Charline Dally lives and works in Montréal, and her artistic practice focuses on analogue video signals generated by electrical currents to transform personal and scientific archive images. Her films and installations have been shown at venues including the PHI Foundation in Montreal, the Images Festival in Toronto and the CTM Festival in Berlin; her current solo exhibition, ‘dreamachine’, is on show at the Chapelle XIV in Paris.
Funding
The Immersive Sounds program as part of the HYBRID Biennale is funded by the Cultural Foundation of the Free State of Saxony. This initiative is co-funded by taxpayers’ money in accordance with the budget approved by the Saxon State Parliament.
“Hypermobility” is co-presented by MUTEK, with the financial support of the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.”













