The concert featuring Grand River & Abul Mogard, Myriam Bleau, and other guests is not only another highlight of the HYBRID Biennale 2026 program but also the opening event of the DAVE Festival. DAVE—Dresden Audio Visual Experience—was founded in 2014 and has successfully established itself as a festival and network for electronic music culture, audiovisual art, and interdisciplinary formats. Not least, the fusion of club culture with various forms of artistic expression and venues makes DAVE an exciting project partner for HELLERAU and the HYBRID Biennale.
In 2024, the Dutch-Italian composer and sound designer Aimée Portioli, alias Grand River, and the musician Abul Mogard released “In uno spazio immenso,” their first collaborative album. Released on Caterina Barbieri’s label Light-Years and described by Resident Advisor as “theatrical and emotional ambient with post-punk influences,” the project has been presented live at venues including MUTEK, REWIRE, the Centre Pompidou in Paris, ATONAL in Berlin, and SÓNAR in Barcelona and Istanbul. Dynamic and moving, “In uno spazio immenso” balances on a knife’s edge between booming, operatic grandeur and gentle simplicity, between subtle contours and dense, almost overwhelming textures.
“Hypermobility” by Myriam Bleau is an energetic audiovisual performance that combines dance music with laser projections. Digital synthesis patterns are shaped in space by laser beams, creating moving planes of light above the audience. “Hypermobility” translates dynamics, constant movement, and the compression of space and time into an immersive interplay of sound, light, and energy. This creates a tension between fascination and sensory overload, questioning the effects of an increasingly fast-paced and mobile present.
Biography

Photo: Joseph Kadow
Aimée Portioli, who performs under the stage name Grand River, is a Dutch-Italian composer and sound designer based in Berlin, specialising in experimental electronic music and sound installations. Influenced by minimalism and ambient music, her compositions are both atmospheric and rhythmically complex, combining acoustic instruments and synthesisers with melancholic piano arrangements to create vivid and emotive soundscapes.

Photo: Bruno Destombes
Myriam Bleau is a composer, digital artist and performer based in Montréal. Drawing on music, sound and movement, she creates audiovisual performances and installations featuring interactive interfaces. Her hybrid practice explores the permeable spaces between the physical and virtual worlds, and between the natural and the synthetic. Her work is presented internationally at festivals and events such as MUTEK, Ars Electronica, Sónar, Transmediale, L.E.V. and Café Oto.
Abul Mogard is the alter ego of the Italian musician Guido Zen, who is known for his impressive albums and rousing live performances. He lives in Rome and has performed at renowned festivals and venues, including Berlin Atonal, the Centre Pompidou in Paris, the Auditorium San Fedele in Milan and the Southbank Centre in London.
Funding
The event is being held in collaboration with the DAVE Festival.
The Immersive Sounds program as part of the HYBRID Biennale is funded by the Cultural Foundation of the Free State of Saxony. This initiative is co-funded by taxpayers’ money in accordance with the budget approved by the Saxon State Parliament.
“Hypermobility” is co-presented by MUTEK, with the financial support of the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.”















